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Finding the River’s Soul: A Review of Gold Sand Gold Water

‘There are a few fundamental things one learns of rivers,’ author and journalist Sanjoy Hazarika tells in an interview to Samrat Choudhury (published in Frontline). ‘There is an entity far more powerful than you can conceive of and you must respect that.’ The people living in the lowland regions closer to the banks of Subarnarekha in Gold Sand Gold Water know this truth and consider themselves blessed to be touched by the river. The water is an intricate part of their lives; it gives and takes in equal measure.

Hornbill birds on a tree

The Wilderness Story of a Bustling, Expanding Capital

For people like me from mountain communities, the forest is a sacred space, the one we enter for our annual rituals, cautious not to litter or shout within its realm. Animals were introduced to us through their scat and footprints. Our worlds were small, and resources seemed sufficient, abundant even, in the mountains, and threats were something fictional that existed only for people living far away.

India’s Lifeline: A Review of India’s Forests: Revisiting Nature and History

For people like me from mountain communities, the forest is a sacred space, the one we enter for our annual rituals, cautious not to litter or shout within its realm. Animals were introduced to us through their scat and footprints. Our worlds were small, and resources seemed sufficient, abundant even, in the mountains, and threats were something fictional that existed only for people living far away.

India’s Lifeline: A Review of India’s Forests: Revisiting Nature and History

For people like me from mountain communities, the forest is a sacred space, the one we enter for our annual rituals, cautious not to litter or shout within its realm. Animals were introduced to us through their scat and footprints. Our worlds were small, and resources seemed sufficient, abundant even, in the mountains, and threats were something fictional that existed only for people living far away.

NEVER NEVER LAND BY NAMITA GOKHALE

As a nature writer, Arati Kumar-Rao employs an evocative and lyrical tone, even when she is describing the grim statistics of pollution or climate change. She has an acute sensitivity for the subtle nuances of imperiled landscapes, their brittle beauty and seasonal rhythms.  The text is illuminated with the author’s own artwork, which presents haunting black and white images of the places she visits.

Traversing the Margins

As a nature writer, Arati Kumar-Rao employs an evocative and lyrical tone, even when she is describing the grim statistics of pollution or climate change. She has an acute sensitivity for the subtle nuances of imperiled landscapes, their brittle beauty and seasonal rhythms.  The text is illuminated with the author’s own artwork, which presents haunting black and white images of the places she visits.

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